The representative figure of our age is not the poet, the artist, the novelist, the scientist, the businessman, the actor, the athlete, the statesman. James Baldwin understood the difference between empathy and approval.
The Truth Is Worth It: Rigor | The New York Times - YouTube It’s not because we owe anything to the likes of Harvey Weinstein; it’s because of what we owe ourselves.Lee Siegel is the author, most recently, of “The Draw: A Memoir.”
The outrage over a police shooting of an unarmed black teenager unfolds at the same level of intensity as the outrage over what might or might not be a case of racial profiling by a sales clerk in a small Brooklyn boutique. But in the realm of the free operation of intellect and imagination that is culture, let there bloom the suspension of moral judgment for the sake of a better understanding of our moral natures. Today, we would rather condemn than understand.Mr.
We were once gripped by “In Cold Blood,” Truman Capote’s imaginative inhabiting of two convicted murderers, or by “The Executioner’s Song,” Norman Mailer’s empathetic telling of the story of Gary Gilmore, who asked to be executed after he was convicted of killing two men. These were considered bold, even controversial, at the time, but no one pretended that Capote or Mailer were trying to make excuses for their subjects. This 2019 Clio Awards Grand winning entry titled 'Rigor' was entered for The New York Times by Droga5 New York, New York, part of agency network: Droga5 and holding company: Accenture Interactive. 2018 Lifetime Achievement Award Recipient: Susan HoffmanCelebrating Imagination, Innovation, and Inspiration. This piece is part of a campaign called 'The Truth Is Worth It' that consists of 4 elements.
Politics Election 2020 New York Business Tech Science Climate Sports Obituaries The Upshot Español 中文网 … You could tell the history of Western culture with such instances of skeptical rationalism and imaginative empathy, from Aeschylus’ Clytemnestra and Euripides’ Medea, to Shakespeare’s Lady Macbeth and Richard III, Milton’s Lucifer, Mary Shelley’s Dr. Frankenstein, Balzac’s master-criminal Vautrin, Dostoyevsky’s amoral superman Raskolnikov, Joseph Conrad’s terrorists, Thomas Mann’s con man Felix Krull, Andre Gide’s coldblooded murderer, Albert Camus’s helpless murderer — to take a relative handful of examples. There exists a kind of silent censoring of any attempt to understand a person’s ugly behavior rather than seeking exclusively to punish it. The piece was submitted to the medium: Film within the entry type: Product/Service and the category: 30 seconds and under.
In this case, the writer scours over public documents regarding Donald Trump and discovers possible cases of …
The New York Times illustrates the lengths to which a dedicated journalist might go to uncover the truth, claiming that the truth takes rigor but is worth it in the end. The piece was submitted to
This 2019 Clio Awards Grand winning entry titled 'Rigor' was entered for The New York Times by Droga5 New York, New York, part of agency network: Droga5 and holding company: Accenture Interactive. Today we still revere Baldwin, but by and large we no longer follow his lead as a thinker. Crucially, this tendency did not remain in the preserve of high art. The elevation of moral complexity over moral condemnation, once the special province of high culture, made its way over centuries into mainstream thinking about justice and tolerance, helping to bring us to the enlightened values of modern liberal democracy.Today, however, our dominant cultural style is very different. Closer to our own time and place, Richard Wright’s Bigger Thomas accidentally kills a white woman in the novel “Native Son,” and then rapes and murders a black woman; Gore Vidal wrote with sympathy about Timothy McVeigh; and David Mamet composed “Oleanna,” a prescient play about sexual harassment, accusation, guilt and innocence that, famously, had no clear resolution.
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There is little patience now for such a rigorous yet receptive moral and intellectual style; these days we prefer ringing moral indictment, the hallmarks of which are absolute certainty, predetermined ideas and conformity to collective sentiments.In the process of abandoning the type of complex moral clarity that Baldwin practiced, we have made behavior that is unacceptable the equivalent of behavior that is criminal. Advertisement Continue reading the …
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