Rolling Thunder Revue: Martin Scorsese racconta Bob Dylan 2019 T 2h 22min Musica e musical In un mix alchemico di realtà e fantasia, Martin Scorsese ricorda il tour di Bob Dylan del 1975 Rolling Thunder Revue e una nazione che ha bisogno di reinventarsi. ‘Rolling Thunder Revue’ Review: Scorsese’s Dylan Doc Is Simply Brilliant The filmmaker looks back on Bob’s legendary 1975 tour and turns a gamechanging moment into a hall of mirrors Netflix will release “Rolling Thunder Revue” on Netflix and in select theaters on June 12. The box set is the second-longest in Dylan’s hefty discography of archival releases, which already has The medium of delivery makes clear the intended audience for each: One is an easy click-through on Netflix; the other is basically a full set of musical encyclopedias, and will set you back about $100. Martin Scorsese’s delightful and wily possible-documentary Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese, made for Netflix, gives us a good half of those Dylans, and probably more. Elsewhere, an audience heckler yells “What a lovely couple” before one of Baez and Dylan’s acoustic duets, prompting Baez to shout back: “Couple of what?” Their duo performances were often near-yelled, amped up from the way they would have done the same songs in the early 1960s: the musical upshot, perhaps, of a repartee that is both electrifying and lightly caustic. 5 and the botched However, for devotees, there are plenty of fascinating musical tropes and outliers to relish. There’s a short set at a Massachusetts mahjong parlor, for an audience that mostly consisted of elderly women, and another at the Indian Reservation, home of Chief Rolling Thunder, the tour’s namesake.
In a segment that will threaten to move any fan of both Joni Mitchell and Bob Dylan to tears, Mitchell, who tagged along on the tour for a while, teaches a brand new song of hers—it’s fucking It also resulted in some of the most singular music and electrifying performances of his career.The music itself was also carefully documented. Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese' captures the troubled spirit of America in 1975 and the joyous music that Dylan performed during the fall of that year.
Part documentary, part concert film, part fever dream, 'Rolling Thunder' is a one of a kind experience, from master filmmaker Martin Scorsese. Dylan’s serene face suggests that he is imagining himself as a truck driver or some other romantic itinerant character—that there is something in that constant movement which suits his sensibilities on a level beyond music. But as one commentator observes, Dylan never seemed more like of a band than he did here. Joan Baez and Bob Dylan as Bob Dylans.
Dylan’s sets had relatively little dynamic variation; sometimes, his performances seemed to be mocking the songs as much as supporting them.
It serves both as a well-rounded exploration of a particular period in Dylan’s career, and as an ingenious subversion of the documentary form, in the tradition of Orson Welles’s intentionally deceptive 1973 experimental film itself.
Scorsese had plenty of archival material to pick through, since Dylan and the gang had embarked on the Rolling Thunder Revue with a film crew in tow.
The fleeting nature of the interaction is indicative of the film as a whole, which gives only minimal, vignette-like context for Dylan’s personal life during the tour, going only as far as the archival footage allows.
In his talking head moments, he tells anti-tall tales about the tour, delivering comic anecdotes about supporting characters such as tour biographer Larry “Ratso” Sloman (so nicknamed by Baez after the character) and an invented, crotchety experimental filmmaker character, played by director Martin von Haselberg.
“It Ain’t Me, Babe” gets a reggae aspect, thanks to Ronson’s wah-wah guitar. Several hours in, you may notice the band’s propensity for falling into something like island music. No image exemplifies the contrasts of the band better than stage footage of Riviera, in black garb and ornamental face makeup, standing alongside Mick Ronson with his blown-out platinum ‘do, recently displaced from David Bowie’s band and looking that way, firing off muscular licks and searing solos through flashy pedals. In an alchemic mix of fact and fantasy, Martin Scorsese looks back at Bob Dylan's 1975 Rolling Thunder Revue tour and a country ripe for reinvention.Patti Smith, Joni Mitchell, Sam Shepard and Sharon Stone roll through this film by Martin Scorsese ("Taxi Driver").Katherine's a single mom juggling her career, her tween daughter, her relationship with her boyfriend — and pondering getting pregnant with her ex.Charming comic Michael McIntyre talks family, technology, sharks, accents and the time he confused himself for a world leader in this stand-up special.A live-action pirate adventure story based on the bestselling manga by Eiichiro Oda.A Yale law student drawn back to his hometown grapples with family history, Appalachian values and the American dream. It’s divided show-by-show, with a disc of odds and ends from stops off the road.
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