This enclosure separates one piece of art from another, creating the sequence of images known as comics. JazzStandards.com - All Rights Reserved The great early-1940s Duke Ellington Orchestra, known as the Webster-Blanton band for tenor saxophonist Dont Get Around Much Anymore had its genesis in an instrumental composition of Ellingtons called Never No Lament. This tune relies heavily on the alto saxophone of Interestingly, numerous ensembles had recorded vocal versions of Dont Get Around Much Anymore before Ellington cut his first classic vocal rendition of the tune. Don't get around much anymore Well darling I guess My mind's more at ease But never, never the less A baby why stir up memories I miss the dance again Might have gone but what for Awfully different without you Don't get around much anymore Submit Corrections. Writer(s): Duke Ellington, Sidney Keith Russell. Don’t Get Around Much Anymore By Art Spiegelman ©1973 Panels marked for Clarity One of the basic structures of the medium of comic books is the panel. Duke Ellingtons 1940 composition was first released as Never No Lament. Duke Ellingtons 1940 composition was first released as Ellingtons 1940 band represented a pinnacle in his 15-year band-leading career. Now referred to as the Webster-Blanton band (for tenor saxophonist Unfortunately, World War II and the A.S.C.A.P and American Federation of Musicians recording bans nixed Dukes plans to get a vocal version recorded. Find information about "Don't Get Around Much Anymore" listen to "Don't Get Around Much Anymore" on AllMusic Watch short videos with music Don't Get Around Much Anymore on TikTok. However, the focal point of this performance is the underrated Copyright 2005-2020 - Panels can vary in size, shape, etc. Rest assured, though, The loping melody of Dont Get Around Much Anymore presents no challenge to Fitzgerald, who sings and swings it with relaxed assurance. “Don’t Get Around Much Anymore” had its genesis in an instrumental composition of Ellington’s called “Never No Lament.” This tune relies heavily on the alto saxophone of Johnny Hodges and is an all-time classic example of Ellington’s 1940 ensemble. Rest assured, though, The loping melody of Dont Get Around Much Anymore presents no challenge to Fitzgerald, who sings and swings it with relaxed assurance. By the time Ellington recorded a vocal version for Columbia in 1947 (featuring Russells lyric tells the story of a jilted lover who prefers to stay home rather than be haunted by memories of happier times spent at dances and nightspots. Leggi il testo di Don't Get Around Much Anymore di Shirley Bassey tratto da You Take My Heart Away / Yesterdays su Rockol. but ultimately they… As such, off-topic, off-color, unduly negative, and patently promotional comments will be removed.Once submitted, all comments become property of JazzStandards.com. The featured soloists on this tune are This album gives us two trio interpretations of Dont Get Around Much Anymore, both featuring the bass of Guitarist Burrell is widely known as a definitive interpreter of Ellington material. JazzStandards.com - All Rights Reserved The featured soloists on this tune are This album gives us two trio interpretations of Dont Get Around Much Anymore, both featuring the bass of Guitarist Burrell is widely known as a definitive interpreter of Ellington material. By posting, you give JazzStandards.com permission to republish or otherwise distribute your comments in any format or other medium. "Don't Get Around Much Anymore" is a jazz standard written by composer Duke Ellington. An amusing sideline to this song concerns the first line of the lyrics. The song was originally entitled "Never No Lament" and was first recorded by Duke Ellington and his orchestra on May 4, 1940. " this tune, any musical challenges it presents, or additional background information.Jazz musicians, fans, and students of all ages use this website as an educational resource. JazzStandards.com reserves the right to edit or remove any comments at its sole discretion. Your comments are welcome, including why you like Missed the Saturday dance has been misunderstood as Mister Saturday dance or Mister Saturday night, much to the amusement of musicians who get these as requests.Duke Ellingtons 1940 recording of Never No Lament (An interesting fact is that this tune apparently originated as a counter-melody for Concerto for Cootie, later known as The great early-1940s Duke Ellington Orchestra, known as the Webster-Blanton band for tenor saxophonist Dont Get Around Much Anymore had its genesis in an instrumental composition of Ellingtons called Never No Lament. This tune relies heavily on the alto saxophone of Interestingly, numerous ensembles had recorded vocal versions of Dont Get Around Much Anymore before Ellington cut his first classic vocal rendition of the tune.
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