... Hobson, Anthony escribió el material sobre Villa Barbaro (pp 89-97) en Casas Grandes de Europa, editado por Sitwell, Sacheverell, Weidenfeld & Nicolson, Londres 1964.
The central block, which is designed to resemble the The central block is flanked by two symmetrical wings. The wings have two floors but are fronted by an open The wings are terminated by pavilions which feature large sundials set beneath their pediments. This is the design for the front of a temple. It is not certain when Tempietto Barbaro was built, but an inscription on the frieze dated 1580 gives the names of both Palladio and his patron Marcantonio Barbaro. The piano nobile is laid out in the shape of a double "T", the decorated rooms are: the Sala dell'Olimpo, the Sala a Crociera, the Stanza dell'Amore Coniugale, the Stanza di Bacco, the Stanza del Cane, the Stanza della Lucerna.
After the Barbaro family died out, the villa passed through the female line into the ownership of the Having been allowed to become ruinous, the villa was purchased in 1850 by the wealthy industrialist Palladio planned the villa on low lines extending into a large park.
However, the year 1453 marked the start of a period of financial crisis after Venice’s trade-based economy was threatened by a series of unfortunate events. The Villa Barbaro is one of Palladio's best-known villas on account of its trompe l'oeilfresco decorationby Paolo Veronese. Around 1560-61, Veronese was commissioned by Daniele Barbaro to provide the interior frescoes for Barbaro's Palladian villa in Maser. These paintings constitute the most important fresco cycle by this artist and were inspirational to many of the frescoes painted by other villa artists at that time. El interior tiene decoraciones de estuco atribuidas a Alessandro Vittoria. The spacious Sala a Crociera (Cross-Shaped Room) connects the front and the two rooms to the south (the Stanza dell'Amore Coniugale and the Stanza di Bacco) with the large square room (the Sala dell'Olimpo) that opens onto the internal garden to the north. Not projecting forward in this example, but surmounted by a brilliant classical pediment. His paintings cover its walls and ceilings with fictive architecture framing figuresand scenes.
The decoration reflects the taste of Daniele Barbaro, a cultured humanist, and his brother Marcantonio.
The Villa Barbaro is born from a particular political and social history. The spring forms a pool, which can be used for fishing. What chutzpah! Around 1560-61, Veronese was commissioned by Daniele Barbaro to provide the interior frescoes for Barbaro's Veronese decorated six rooms in the 'piano nobile' (the main floor) of the villa, as well as one wall of the last room of the eastern suite of rooms.
The economic stability of Venice was dependent upon its trade market. The frescoes have been dated to the beginning of the 1560s, or slightly before.
The construction of the villa to a design by Andrea Palladio was completed around 1558.
Floor to ceiling marble columns or pilasters subdivide the walls in all the rooms. At Villa Barbaro in Maser we see one of Palladio's most magnificent and influential designs.
To describe the frescoes by room: in the Hall of Olympus, Veronese painted Giustiniana, mistress of the house and wife of Marcantonio Barbaro, with he… The interior of the piano nobile is painted with frescoes by Paolo Veronesein the artist's most contemporary style of the period. However, at Maser there is a classical garden feature, a It has seven figural statues in niches and four nearly free-standing figures which may have been carved by Marcantonio Barbaro himself.
…the house, as at the Villa Barbaro (c. 1555–59) at Maser, which Palladio designed for his friend the scholar Daniele Barbaro. A Villa Barbaro, também conhecida como Villa di Maser ou Villa Volpi, ... As salas de representação e os espaços residenciais do interior da villa estão pintados com afrescos do pintor Paolo Veronese no estilo mais contemporâneo do artista nesse período. Architecture 28 Andrea Palladio The Villa Barbaro - YouTube The pavilions were intended to house Towards the end of his life, Palladio received the opportunity to build a church, the Tempietto Barbaro, to serve the Villa Barbaro and the village of Maser.
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