But though he’d spent years backing up a host of superlative artists in the States—The Isley Brothers, Little Richard, King Curtis and others—Hendrix really The Who and The Experience had already shared a stage in London earlier that year and were fans of each others’ music, if wary ones. At the Monterey Pop Festival Come on man sing it with me Wild thing, you make my heart sing Oh You make a everything, groovy Wild thing … And as the song crashed towards its climax, Ed Caraeff was in the perfect position to capture a moment of exquisite destructive and erotic power.Hendrix had already laid his Stratocaster on the stage and was mounting it in an uncomfortable but mesmerizing display of dominance. Jimi Hendrix - Wild Thing - 1967/Live At Monterey Pop Festival Lyrics.
Caraeff found out that the guitarist was staying in a two-story motel on Sunset Boulevard, developed a couple of black and white prints—including the burning guitar photo—in his high school darkroom, skipped school during his lunch hour, and drove off to show Hendrix his work. Fender Musical Instruments Corporation. Jimi Hendrix was above all a performer, and one of those rare individuals one simply cannot not watch.
If The Troggs’ version is primal, pregnant with promise (or naked lust), Hendrix’s take is an overdose of sexual fulfillment. Journalist Keith Altham was in the room, and suggested that the Experience needed to do something more dramatic than the stage show of the Who.
As the Jimi Hendrix Experience took the stage, the audience’s surprise was nearly palpable. Now the doomed prince of the London scene made his presence known, taking the mic and, in a somewhat wan voice nearly drowned by excited cheers, introduced his “very good friend…the most exciting guitarist I’ve ever heard.”By this point in the night, Caraeff had managed to score perhaps the best spot in the entire auditorium: Standing on a folding chair in the photographers’ pool, wedged right against center stage. Singularly at ease and playful at the mic before that final number, he laments to the spellbound audience that he can’t: “…Just grab you, man and just, oooohhhh….”The Experience ripped through nine songs that night, five of them covers. Rock and roll was still young in 1967, and much of what had seeped to the public’s consciousness was made by white artists adopting African-American artists’ styles.Whatever the audience’s scant expectations, Jimi Hendrix was determined to defy them.
At the Monterey Pop Festival Come on man sing it with me Wild thing, you make my heart sing Oh You make a everything, groovy Wild thing Wi The Grateful Dead played next, imbuing largely forgotten byways of American roots music with a peculiarly hallucinogenic glow. Waiting backstage at an early Experience show in March of that year, Hendrix and manager Chas Chandler discussed ways in which they could grab some headlines. Jimi Hendrix took the world by storm with his incredible Monterey Pop Festival performance, which he concluded with the sacrificial burning of his now-iconic hand-painted Stratocaster. Fortunately, we have that luxury, as the festival was captured by documentarian D.A. (I do have a couple of B&W shots of other performers though, which are inspiring under a microscope … my tix were for the most part not great. Previous drug arrests scotched the appearances of the Rolling Stones and Donovan. Hendrix had taken to destroying guitars at the end of his sets, an act The Who’s Pete Townshend felt, with some justification, was “his.”By 1967, audiences fairly demanded to see some destruction at a Who concert, a fact Jimi Hendrix, newly arrived in London, took keen note of. All Rights Reserved. Hendrix turned to his amps and scraped the guitar against the speaker cabinets for maximum feedback. Whoever this “Jimi Hendrix” was, it was clear he was not messing around.Sightings of the Rolling Stones’ Brian Jones were a white-hot rumor snaking through the crowd. “Happy Jack” had made it to #24 on the Billboard Hot 100 the year before, and earlier songs like “Anyway, Anyhow, Anywhere” and “My Generation” had enjoyed regional success in isolated pockets of the country.Ironically, the other “English” artist—Jimi Hendrix—wasn’t English at all, though his backing band the Experience were longstanding London scenesters. Bob Dylan was still recuperating from his devastating motorcycle accident.
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