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mera saya raag


Samvaadi sur is S. Its behave is Shadj-Madhym.

There, she explains to Rakesh all that has happened. People like me who had an inclination towards music, especially singing, had to give up the passion and settle for a regular job and career.We have to appreciate MDs such as SJ, LP and KA who managed to get the best out of Mukesh, though he was not considered the best singer. The same can be said of Prabha Atre’s interpretation of Maru Bihag, posted by Sudbodhji above, as well.Here is a Alurkar Music House recording (in 3 parts) of Malini Rajurkar’s rendition of Marga Bihag (bada khayal) and Maru Bihag (chota khayal). ‘Ja re badra bairi’ and ‘Jiya le gayo re’ are Yaman. Its Vaadi sur is m and I fully agree with you on the interpretation of the songs.Navamukundahare is a beautiful song. Another piece of his in similar vein is ‘Mukha tero kaaro’ in Yaman Kalyan, available at AK @ 52 : You are right. Agra gharana – famous for Aftab-e Mausiqi Faiyaz Khan Saheb – excels in power singing with rich grainy voices of its male singers, as is evident in this recording:AK, thanks for the Mallikarjun Mansur link. ‘Jane kaise sapnon mein’ is Tilak Kamod. Bihagda seems to be the bridge between Bihag and Nand. Yet, some gems he has given us are priceless!

Mukesh himself agreed he was sometimes besura’. It shows that you have a keen ear for the soul of the raga.Behag is a very popular raag in Carnatic Concerts.

Whenever a director composes a song based upon a given The concluding piece is a brilliant tarana composed by one of the artiste’s gurus, the late Balwantrai Bhatt (Bhaavrang) in the 14-matra Aadachautaal.Many Maru Bihag compositions including the film song cited above ‘Tum to pyaar ho’ as well as khayal bandishes such as ‘Rasiya ho na’ and ‘Tadpat raina dina’ use the same template for the mukhda. One night, she escapes from there and comes to Rakesh's house.

Bandish are the most dominating notes of a given raga. But when she comes out, Ranjit singh, Nisha's husband ( It is wonderfulMy favourite song in Umrao Jaan song to me flirts with both Bihag and Yaman Kalyan the prelude on the sarangi seems to initially move it into the Yaman Kalyan campWhat do you think of this song to me it too teeters across Yaman Kalyan and Bihag..it was lifted from as one of the comments says fromwhich is in Kalyani (yaman) notice how Illayaraja tries to provide the Bombay/Maharashtrian ethos with the Marathi Bhavgeeti type movements.There is this song from a Malayalam film Deshadanam that I like a lot which is Bihag basedMr.Venkataraman the other program at 7:30 am was Sangeet Sarita.Thank you Mr Rangan for the Carnatic clips. You have enriched this post with your comment. It was discussed at length in an earlier post and it was Latha who pointed out Shankara. Fully enjoyed all the songs.

Raga Shivranjani can be played any time. The voice quality in Malini Rajurkar’s pieces is phenomenal and gives the rendering a depth that Maru Bihag normally lacks.Mr Bhandarkar @50: Both the recordings are excellent. And what renditions these were!! One of the first Madan Mohan compositions to have almost a chordal prelude, the flute and the strings playing different lines and then a lovely clarinet portion and they all meld together but even there the clarinet plays a different melodic line before Lata comes in and of course she is magic.
Albela Sajan(HDDCS) 8. But one day her sister comes to her in a pitiable condition and asks her to give her shelter for one night.

I remember seeing the film as a student. I heard snatches of Yaman in places.Katyar Kalejat Ghusli is a milestone film. Those who want to get a feel for the similarities and differences between Bihag and Maru-Bihag would do well to listen to the two pieces by him in this list:For Nat Bihag one can’t beat this short piece by Ustad Faiyyaz Khan Saheb:Rajan and Sajan Mishra present raga Nand in their signature style:That’s all friends. the very accurately after repeatedly listening to the notes of the tune. Loved the penultimate para before the songs :). Generally light songs are sung after the main part of the programme is over. A similar song from the film Ex Raaz (1963) by Kishore Kumar, Majrooh/Chitragupta combinationOne last post, this is a light classical Bihag Carnatic style by Swathi Thirunal with a modern backing by Sreevalsan Menon.Two gems from the Malka-e-Ghazal Begum Akhtar herself:1.
Mera Saya: Bhimpalasi: Nazar Lagi Raja Tore Bungle Par: Kaala Pani: Khamaj: Neela Aasman So Gayaa: Silsila: Pahadi: Neelam Ke Nabh Chayi: Utsav: Bibhas (Bhairav Ang) Neele Parbaton Ki Dhara: Aadmi Aur Insaan: Pahadi: Nigahein Milane Ko Ji Chahta Hai: Dil Hi To Hai: Kalyan, Yaman: Nind Na Mujh Ko Aye: Post Box No. Here is a piece from Behag composed and rendered by him. He, however, does a creditable job in this song set in Maru Bihag. Your reference gives me the incentive to find a slot for it.SSW, thanks for ‘Mere piya se koi’ – a song I had not heard before. The Jagmohan song is an old favourite of mine. And that is what your blog is doing just now . Bandish are the most dominating notes of a given raga. The mood is a little somber, yet the raga fits in beautifully.Chitragupta uses Bihag to present a joyous and playful song in Mukesh’s voice. Song Lyrics from the movie Mera Saaya starring Sunil Dutt, Sadhana, Prem Chopra, Dhumal, Mukri, Manmohan, K N Singh, Anwar Hussan, Indu Shivraj, Ratna Mala, Nazir, Birbal, Jagdish Sethi, Narbada Shankar, Tiwari. It is a heart-touching Hindustani Classical Raaga, which will leave you absolutely hooked on to it. Bandish of a given Raga.

to raga Bhoopali except that in raga Bhoopali, the GA

These are all very good songs. I have bought the DVD but haven’t had the time to watch it.

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