I’m also been aware of the Ashkenazy version for some time, prefer it to the composer’s own. Quickly realized that one can easily get lost even just with this one concerto. Thanks for the news in Yuja’s choice of cadenza in Rach 3—with her technical mastership, I’m sure she has no problem tackling also the more strenuous “ossia” cadenza!
It is far from Rachmaninoff’s own, much drier, more technical view. 3, Op. Who would have thought that a pianist who stood 4′ 9″ tall and could just reach an octave would produce such a wonderful, clear, full sound, giving every inner voice its due? It’s not as magical as the Carnegie Hall performance, but it’s close.Thomas, based on your input, I have started looking at other recordings on YouTube, but soon — as to be expected — got lost pretty soon! In this concerto, Ashkenazy takes notoriously slower tempi than all others: his interpretation takes 46 minutes, compared to the 40 minutes specified in the score (and also the average of all performances in this post), let alone the 34 minutes in Rachmaninoff’s own interpretation.The main impressions from this recording are: this is a very (exceedingly) lyrical, soft, romantic interpretation. There are a few places where he might have deviated from the score (I did not try registering those). 30. Instead, he practiced it on a silent keyboard that he brought with him while The concerto was first performed on Sunday, November 28, 1909 at the At that time Mahler was the only conductor whom I considered worthy to be classed with The concerto is scored for solo piano and an orchestra consisting of 2 Rachmaninoff, under pressure, and hoping to make his work more popular, authorized several cuts in the score, to be made at the performer's discretion. Op. Adagio 3.
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Rachmaninoff’s recording is the shortest by a long stretch, though most of this is caused by skipping segments in each of the movements.Still, Rachmaninoff’s playing is about as fast as technically (and humanly) possible.
Ultimately, as you well know, it’s all about the experience we have listening to the performance if we really are there for the music and not just for the acrobatics or the technique. 3; Solo Piano Works (CD, Sep-2000, Sony Classical) at the best online prices at eBay! Piano sheet music book by Sergei Rachmaninoff (1873-1943): Music Minus One at Sheet Music Plus: The World Largest Selection of Sheet Music. 3, In D Minor, Op. Owing to its difficulty, the concerto is respected, even feared, by many pianists. Those few chords toward the end of the piece sum up everything else in it (Rachmaninoff has a similar moment in all his concertos). I listened to Cliburn’s Moscow performance of the Third last night on YouTube (my turntable being on the fritz)–probably the one following his winning the competition (wasn’t Gilels the judge who asked Kruschev if it was alright to award the first prize to an American?). The Piano Concerto No.
She made us forget the intrinsic difficulty of this famous finger-punishing ordeal and see instead its evolving landscape of emotion.”And, what I always thought, but that it took critics a long time to recognize:“Wang has a very public face – but, in this work anyway, a beautifully private musical voice.”“The headlong dash to the close was thrilling to behold, the Prommers ecstatic in their acclaim for this exceptional pianist, who appeared to wipe away tears of happiness as she left the platform.”In other words, your opinion about her Rachmaninov is largely shared!When my book is published in Spanish, I will be happy to give you the reference!Not much more to be said https://twitter.com/petergregson/status/1302147831914930176Concert review, ★★★★★, @IGringolts Quartet @ Kirche St.Peter, Zurich, 2020-08-30 — Mozart: String Quartet No.13 in D minor, K.173; Tchaikovsky: String Quartet No.3 in E♭ minor, op.30 (1876)For the first time in your life be brave: Resign and face the consequences.New York’s Columbia Artists Management Has Shut Down https://theviolinchannel.com/columbia-artists-management-new-york-shut-down-covid-pandemic/ via @theviolinchannelConcert review, ★★★★½, Valentine Michaud, @baldurbronniman / @LucerneFestival Alumni @ @kklluzern 2020-08-23 — B. Meierhans: At a Distance; N. Vassena: materia oscura; O. Bianchi: ContingencyEnter your email address to subscribe to this blog and receive notifications of new posts by email.
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