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He earned a degree in mechanical engineering at Yale University before going into filmmaking and used his college skills to help develop portable camera equipment used in documentaries and to design a computerized airport reservation system.

He was 94.Pennebaker, who received an honorary Academy Award in 2013, died Thursday of natural causes at his home in Long Island, his son, Frazer Pennebaker said in an email.Pennebaker was a leader among a generation of filmmakers in the 1960s who took advantage of such innovations as handheld cameras and adopted an intimate, spontaneous style known as cinéma vérité.

In 2008, some of the key members of Clinton’s team were interviewed for “Return of the Room,” a look at how campaigns had changed since the first Clinton presidential run.Pennebaker’s later films were made in partnership with Hegedus, whom he married in 1982.Pennebaker was a longtime resident of Sag Harbor, an oceanside community on the eastern end of Long Island.Donn Alan Pennebaker, whose father was a commercial photographer, was born in 1925 in Evanston, Illinois. Oscar-winning documentary maker Pennebaker has died at the age of 94. CORRECTS TO FIRST NAME TO FRAZER INSTEAD OF FRANK PENNEBAKER FILE - In this Jan. 27, 2000 file photo, documentary filmmaker D.A. Directed by D.A.

The filmmakers were granted limited access to Clinton, so the documentary focused on the campaign headquarters in Little Rock, Arkansas, as political strategists and future media stars James Carville and George Stephanopoulos guide the young Arkansas governor’s march to the White House.The film blended raw, ruthless moments such as Stephanopoulos’ threatening a phone caller who claimed to have evidence of Clinton’s adultery and high emotion.“Carville, the general, gives a tearful farewell to his troops at the conclusion that is as powerful as any fictional scene that could have been scripted,” Associated Press writer Linda Deutsch wrote in her 1993 review of the Oscar-nominated movie.

Documentary covering Bob Dylan's 1965 tour of England, which …

She was his girlfriend at the start of the movie and ex-girlfriend by the time the documentary was done, his growing disregard for her unfolding on camera. But Dylan was reportedly unsatisfied with Pennebaker’s cut and reworked the film himself. Pennebaker would criticize Drew’s editing of “Crisis,” saying he made it too worshipful of President Kennedy, and cited that as a reason for making films on his own.“I wanted always to have that control,” he told Film Comment in 2017, when he recalled meeting Dylan’s manager, Albert Grossman, and being asked to make a documentary.“He didn’t know me very well.

... I’ve always admired Dylan for letting (the film) go the way it was,” he said.Pennebaker continued to work with Dylan after “Don’t Look Back” and was on hand for his raucous European tour in 1966. In a much imitated sequence that anticipated rock videos, Dylan’s fast-talking “Subterranean Homesick Blues” plays on the soundtrack as the singer holds a stack of cue cards with fragments of the lyrics, peeling the cards off and discarding them one by one.Patti Smith would recall seeing the film so many times she memorized the dialogue.In a 2000 Associated Press interview, Pennebaker said he didn’t know much about Dylan at the time, but watching through his lens, saw “an amazing prodigy.

Oscar-winning documentary maker Pennebaker has died at the age of 94. Frazer Pennebaker said in an email his father died Thursday, Aug. 1, 2019, at his Long Island home from natural causes. Very smart in an untutored way.

(AP Photo/Kathy Willens, File)CORRECTS TO FIRST NAME TO FRAZER INSTEAD OF FRANK PENNEBAKER FILE - In this Jan. 27, 2000 file photo, documentary filmmaker D.A.

He completed his first short, “Daybreak Express,” in 1953, combining a pulsing Duke Ellington score with a jazzy, shadowy montage of an elevated New York City subway station and its passengers. This time, the stars weren’t the candidates, but those behind the scenes.

But he could sense that about me, how I wanted to control my work. Pennebaker) was an American documentary filmmaker and one of the pioneers of direct cinema.

Oscar-winning documentary maker Pennebaker has died at the age of 94.

Pennebaker is … SAG HARBOR, N.Y. (AP) — D.A.

Pennebaker, the Oscar-winning documentary maker whose historic contributions to American culture and politics included immortalizing a young Bob Dylan in “Don’t Look Back” and capturing the spin behind Bill Clinton’s 1992 presidential campaign in “The War Room,” has died. Pennebaker not only captured some of the rock era’s most dynamic performances but the crowds who took them in, including a close-up of an awed Mama Cass during Joplin’s explosive “Ball and Chain.”Pennebaker also made a documentary about a 1969 concert in Toronto with John Lennon and a pickup band featuring Eric Clapton.

With Bob Dylan, Albert Grossman, Bob Neuwirth, Joan Baez. This is the DeLorean documentary by Pennebaker Hegedus Films, it’s a full-length film about the DeLorean Motor Corporation, the DMC-12, John DeLorean, and the trials and tribulations that the company confronted before the launch of their iconic car.. Filmmakers Chris Hegedus and D.A.

An all-out rocker by this time, backed by expert and unknown musicians who later became the Band, Dylan performed snarling, defiant versions of “Like a Rolling Stone” and “Just Like Tom Thumb’s Blues” as fans of his folk style booed and heckled.Dylan was also seen working on music with Johnny Cash, and, looking and sounding strung out, bantering nonsensically with John Lennon in the back of a car in London.

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