Be thankful, however: This record launched Dylan’s “Never Ending Tour” and gave us “Death Is Not the End,” which Nick Cave and friends Essential track(s): “Death Is Not the End” and “Silvio,” the Dylan-Hunter collabo that found new life as a live song.The conceptual dissonance is remarkable here. Tambourine Man” is the best one there — made beautiful by Bruce Langhorne’s delicate accompaniment on electric guitar — but it’s in excellent company.
After being introduced to the civil rights movement by girlfriend Suze Rotolo (pictured on the cover with him), Dylan incorporated the language of social change into his sardonic songwriting, cementing his early-’60s legacy as the quintessential folk troubadour and “voice of a generation”—whether or not he liked it.Essential tracks: “A Hard Rain’s a-Gonna Fall,” “Don’t Think Twice, It’s All Right,” “Girl from the North Country,” and “Masters of War.”Essential tracks: “I Dreamed I Saw St. Augustine,” “All Along the Watchtower,” “The Wicked Messenger.”You’ve heard the cliché a million times: This is where Dylan “went electric.” And, yes, this is where he went electric.
The lyrics borrow heavily from classic poetry, folk traditionals, and ’40s balladry—spawning allegations of Essential track(s): “Thunder on the Mountain,” “Someday Baby,” “Ain’t Talkin’,” and the Crosby-esque “When the Deal Goes Down,” which had a Kodachrome music video featuring the lovely Scarlett Johansson.Dylan’s return to secular music was via this dizzying, hard-rocking album, in which the bard careens between themes of the apocalypse, environmentalism, Zionism, and protectionism over post-punk sonic textures (with the occasional reggae funk sprinkled in). In his poetic visions of apocalypse, nuclear war, and widespread human suffering, Dylan well and truly staked his claim as the most important songwriter of the 1960s.From the rousing, title-track opener to the concluding “Restless Farewell”, the album is a stunning piece of work, perfectly showcasing Dylan’s knack for emotional storytelling.
This is totally timeless, a work of genius which only Bob Dylan could’ve offered.”“Recently, I listened to this old favorite album and was blown away, again. 'Bringing It All Back Home' (1965) This is the album that kicked off Dylan's most fruitful era, and it … One minute he was an acoustic folk icon, the next he was churning out fiery rock ‘n’ roll with stream-of-consciousness lyrics about the futility of politics and the absurdities of the protest movement that previously (and erroneously) thought it owned him. He has an absolutely incredible amount of prose and poetry! (Journey Through Dark Heat).”Perhaps no other album on this list is as hotly debated and discussed as Essential track(s): “You Ain’t Goin’ Nowhere,” “Crash on the Levee (Down in the Flood),” and “This Wheel’s on Fire.”While the rest of his peers rioted at the 1968 DNC, marched on Washington, and experimented with drugs, a domesticated Dylan went to Nashville and immersed himself completely in country music.
2. Get the details. When we look up the lyricist, we’re not surprised to find that it was Dylan. Strangely, Dylan was so unhappy with Lanois’s production on Tracks like “Changing of the Guards” and “No Time to Think” have a hypnotic repetitiveness, and they’re some of the most lyrically ambitious songs that Dylan ever put on record (the rhyming of ‘decoys’ with ‘turquoise’ is particularly imaginative). Dylan growls his way through the record, his voice often contrasting terribly with the angelic chorus of backing singers.
36: Bob Dylan … A short record, but worth purchase nonetheless.”“This album has aged very well due to it’s simplicity and that topically the issues touched on are still relevant.“Dylan is an incredible poet, and this selection proves it all over again. His fictional tales are evocative stuff (particularly “Ballad of Hollis Brown” with its grim conclusion), but it’s when Dylan eventually turns to the real life murder of Hattie Carroll that the record truly peaks.The second half of the record is a far less ferocious affair (there are no drums or loud guitars), featuring a run of four near-perfect songs.
“From A Buick 6” and the title track get real bluesy and show off some of Dylan’s most surreal lyrics while the 11 minute closer “Desolation Row” takes on an intimate portrayal of the world. Alternating between despair and great hope, it’s the perfect album for a late-night drive on a pitch-black highway—especially after some undescribed biblical event.
Feel free to start a discussion with me Essential track(s): “Must Be Santa,” if only for the chuckles.Dylan seemingly foresaw that this would be the most widely panned album of his career: He fought against its release.
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