It was more that he shared similar qualities with the agricultural community. It would be about 25 miles long and almost 20 feet high.By the end of the visit, Pozzi said, his parents still weren’t completely clear on the concept, but they were sure of one thing: They liked Christo.“He was incredibly charismatic,” Pozzi said, “but it was more than that. The fence was always supposed to run into the sea. But when the fence came, I got a sense of something bigger. “And when Dad came into the barn, we asked him what was going on, and he said, ‘Oh, some damn hippie wants to build a fence for us. Her eyes were moist, and when she spoke again, her voice was charged with emotion.“I was only 17 then,” she said. In the first scene of the 1973 documentary short Christo’s Valley Curtain, Christo and Jeanne-Claude are fine-tuning the details of their new installation project. But for me the excitement really begins when I leave the studio […] The real life experience— engineering problems, dealing with construction workers, the blue prints, the permission from governments, the highway department— all these things give me what I can never imagine. Here's what to expect and a few favorites...This article was originally published in 2016, 40 years after the installation of “Running Fence.”
Menu Title And the land itself seems immutable: The rolling pastures broken by eucalyptus windbreaks — speckled with fat sheep and sleek cattle — present a prospect as timeless as the nearby Pacific Ocean.But something happened here 40 years ago that changed everything. (Photo by John LeBaron)Workers erecting the Running Fence steel support cables atop 18-foot-high poles. He planned another project, this one for Sonoma and Marin counties, a fence of fabric running sinuously across the land from Highway 101 to the sea. Where: Between Grand Junction and …
“Valley Curtain” was one of Christo’s early pieces. It was evident they enjoyed immersing themselves in the west county’s agrarian culture.“Everyone came to understand Christo was an artist, an important artist, and that the ‘Running Fence’ was a major art project,” Pozzi said. It incorporates the landscape and the people on it, and the relationships he builds with those people.“Our family is still in close contact with him. The way it looked running across the hills, shimmering, changing colors in the light and the wind. (Photo by Giancarlo Gorgoni, copyright Christo 1976. “It was never just ‘Christo.’ It was always ‘Christo and Jeanne-Claude,’ and to me, that emphasized their connection with each other and humanity at large. A discreet monument marking that event stands at the Valley Ford post office, a single, corroded metal pole 18 feet high, with a small commemorative plaque at its base. As everyone ate the antipasti, the Pozzis politely listened to Christo’s proposal.
While many work alone to create art for galleries and private collections, Christo's mammoth undertakings involve huge crews–for instance, the 1983 Surrounded Islands project, in which 6.5 million square feet of bright-pink fabric was set afloat around 11 Miami-area islands.
There was nothing slick or pretentious about him. Christo was right there among them, wearing an OSHA-required hard hat, blissfully shouldering his share of the grunt labor.“I was 13 at the time,” Pozzi said, pointing out the path the fence took across the gentle hills south of Valley Ford, now empty save for grass undulating in the wind and myriad grazing sheep. But Dinucci’s Italian Dinners is still there, serving the family-style meals that made its initial reputation more than a century ago.Local ranchers still come to the Valley Ford Market for coffee and the latest talk on lamb prices and government regulation.
If he hadn’t been able to build the fence in the end, I’m sure he would still have considered the project a success.”Earlier this year, Gonnella hosted a screening of a film about “Running Fence” that was funded by the Smithsonian Museum of Modern Art. The entire project would have been diminished if it had stopped at the shore.”After serving as a Sonoma County supervisor and the president of the California Fish and Game Commission, Brian Kahn moved to Montana. He didn’t get the ‘Running Fence’ built because he sold anybody around here on the idea. (Photo by Wolfgang Volz, copyright Christo 1976. So what happens in the real world changes my original ideas, and the drawings themselves. There was a warm human quality to him that you just felt. It was at this spot that “Running Fence” came through, completed on Sept. 10, 1976.If you saw the fence then, you can stand next to the pole now, close your eyes and see it again, with almost shocking clarity. But my memory of it is still so vivid. “I loved living out in the west county.
The “Valley Curtain” project was approved by the Colorado Division of Highways, and it was anchored on private land on either side of the canyon. Photo by Wolfgang Volz, ©1972 Christo. While it’s true that he came to the Pozzi ranch to build a fence, it wasn’t as an itinerant laborer hoping to make a few bucks stringing barbed wire.“Christo was Bulgarian and his English wasn’t that great then, so Dad misunderstood him,” Pozzi said. “It was going to determine whether growth would be contained and orderly, or largely unregulated. Everybody knew each other, most of the families were from the same region in northern Italy. My daughter just came back from visiting his latest installation (“The Floating Piers” on Lake Iseo, Italy). I felt like my heart was going to burst.”Jeanne-Claude and Christo created a piece in response to the building of the Berlin Wall, blocking off the Rue Visconti in Paris with a wall of oil drums. From a print lent by Christo and Jeanne-Claude)A crew erects a section of the Running Fence. It was nominated for an Academy Award for Best Documentary Short.. References He’s still part of our lives. His work still affects us. Photo by Wolfgang Volz © 1972 Christo From a print lent by Christo and Jeanne-Claude)Workers use ladders to reach the top of the 18-foot-high poles as they hang the Running Fence panels.
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